Engagement of Poetry at DIAA

engagement-of-poetry-dories

I didn’t expect to be in the Deer Isle Artists Association  latest exhibit, Engagement of Poetry, but someone dropped out. So when asked if I’d participate, of course I said yes.

Since I’ve had such a busy summer, I only had time to submit three watercolors. I ended up with three very different ones.

Engagement of Poetry

The first, Brooksville Morning, came about because I go to the Brooksville Farmers Market every Tuesday to sell prints, cards and original artwork. I drive past this farm to get there, and I love how it looks in the fog. (There’s been a lot of fog this summer.)

We had to come up with statements about what inspired our work for the Exhibit of Poetry show. Here’s what I wrote for Brooksville Morning:

Fog reveals the loveliness of the earth on a summer morning.

engagement-of-poetry-brooksville-morning
Brooksville Morning, watercolor. Shown at ‘Engagement of Poetry’ exhibit. 

The second painting, Dories, came about because I love these old boats. They’re tied up on a rocky little beach in Stonington.

Back in the day, farmers built dories like this in summer and used them to fish for lobster in the summer. Today, their owner uses them to seine for bait.

engagement-of-poetry-dories
Dories, watercolor. Shown in Engagement of Poetry at DIAA.

Here’s what I wrote for Engagement of Poetry:

The wisdom of old boats, the enchantment of the sea.

That ‘enchantment’ business may sound sappy, but it’s true. Stonington has for a long time had some of the best sailors and fishermen in the world, and it isn’t because they hate the sea.

Finally, here’s an image that started out as a sketch for another painting.  I made it up; it has part Stonington, part Cape Rosier in Brooksville and part Eggemoggin Reach in Deer Isle.

engagement-of-poetry-clouds
Clouds, watercolor. Shown in Engagement of Poetry.

Above the limpid sea, clouds are never still.

 

 

 

DIAA’s 12 by 12 (By 12) Show Starts

12-by-12-Farmers-Market

The Deer Isle Artists Association’s popular 12 by 12 (By 12) exhibit is scheduled to start Tuesday, July 31, at 10 am sharp.

Be there at the starting gate if you have your eye on a particular work of art.

The 12 by 12 (By 12) features paintings, prints and collages (also known as wall art) no bigger than 12″ by 12.” It also includes 3-dimensional art, such as ceramics, baskets, fiber art and sculpture, also no bigger than — you guessed it — 12″ by 12″ by 12″.

Every work of art sells at an extremely reasonable price of $144 ($12 X $12). The gallery hangs new work as pieces sell. The show lasts two weeks, as all DIAA summer exhibits do, until August 12.

The exhibit is important to the DIAA because it raises money for operating costs.

If you’d like to meet the artists, the reception will be held on Sunday, Aug. 5, from 3 pm to 5 pm. Wine and lemonade will be served, and there will be plenty of food as well.

I’ve shown my work in the past two 12 by 12 (By 12) exhibits. This year I’m donating three watercolors to the show.

They are: Farmers Market,12-by-12-Farmers-Market

Farmers Market, Watercolor, 12″ by 12″

Caterpillar Hill and

12-by-12-Caterpillar-Hill
Caterpillar Hill, Watercolor, 12″ by 12″

and, finally, Cape Rosier.

12-by-12-Cape-Rosier
Cape Rosier, Watercolor, 12″ by 12″

These are all Maine scenes. Farmers Market, as its name implies, pictures a scene from the Stonington Farmers Market,

Caterpillar Hill is the view from a stunning lookout on Route 15 on the way to Deer Isle (or the way back). It overlooks Penobscot Bay, the island and the Penobscot River. If you happen to drive by, check out the informational markers. I believe they explain the disastrous Penobscot Expedition during the American Revolution. It didn’t go well for Paul Revere.

Cape Rosier is a part of Brooksville, also part of the Blue Hill peninsula. I’ve just recently discovered this beautiful part of the world and plan to paint much more of it!

DIS Friday in Stonington at the Island Agency

deer-isle-morning-island-agency

I’ll be selling new watercolor paintings, some oldies but goodies, prints, notecards and postcards at the Island Agency in Stonington on Friday, July 6. It’s DIS Friday (Deer Isle-Stonington for the uninitiated), which goes from 5-7 pm in downtown Stonington.

Wine and hors d’oeuvres are inseparable from art, so I’ll have those on hand, too!

Here’s one of my favorite new paintings I’ll bring along:

deer-isle-morning-island-agency
Deer Isle Morning

It’s a scene from just past the causeway across from Scott’s Landing.

I’ll also bring along a couple of watercolors with more somber palettes. This one, for example, also shows a scene from the causeway, but in November.

november-sunset
November Sunset, watercolor, 12″ by 16″.

It reflected my mood at the time. I believe our furnace had just gone on the fritz.

Changing Seasons, Changing Palette

I’ve noticed, though, that my paintings get darker and more muted in the winter, and brighter and sunnier in the summer.

For example, here’s a watercolor I did of the forest floor at the Island Heritage Trust’s Tennis Reservation.

tennis-reservation
Tennis, watercolor 12″ by 16″

I painted Tennis in April, when it’s cold and raw and overcast every single day. Or at least it seems like that.

But then comes summer and my palette gets a lot brighter — especially when the lupines come out.

lupine-madness-smaller
Lupine Madness, watercolor, 11.5″ by 11.5″

Tomorrow at the Island Agency I’ll be selling matted prints of Lupine Madness, Deer Isle Morningand other paintings of Deer Isle for $20. I’ll also have prints of some paintings of interiors — which usually means cats.

window-kitty
Window Kitty

Inventory isn’t my strong suit (I’m an artist, after all), but I will have some notecards and postcards for sale as well. And all the paintings shown here are available as small (4.5″ by 6.5″ in 8″ by 10″ mats) for $20.

So please stop by the Island Agency tomorrow and check out my artwork.

Shape of Waters at the Deer Isle Artists Association

shape-of-waters-44-north
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The Shape of Waters exhibit has already started at the Deer Isle Artists Association  in Deer Isle Village. I have five paintings in the show, all of which depict some kind of work.

Why Work?

When I left journalism to work for a labor union, I thought I should decorate my office with an image of an American worker. So I went to the National Gallery of Art, thinking the gift shop would have a poster, print or even a notecard  depicting someone at work.

I was hoping for a nice big WPA poster,

shape-of-waters-forging

but I would have settled for a print of an Ashcan School painting — McSorley’s Bar, for example.

shape-of-waters-mcsorleys-bar
McSorley’s Bar by John Sloan.

By the time I’d spent an hour looking through the merchandise, I would have been happy to find a notecard with Millet’s The Gleaners on it.

shape-of-waters-gleaner
Jean-Francois Millet, The Gleaners

I couldn’t find one single reproduction of a painting, print or sculpture that showed an American working. I’d soon learn how invisible the working class is in the United States, but that’s a whole other story.

Since moving to Deer Isle I’ve started to paint people at work. Usually I’ll spot them in a certain light or against a certain backdrop and I’ll ask them if I can take their picture. I take a bunch, then sometimes I go back and study the setting a little more. That’s what I did when I spotted Danielle washing windows at Inn on the Harbor.

shape-of-waters-danielle
Danielle

The painting now hangs against the yellow wall in the Inn on the Harbor lobby.

Since then I’ve done more, including Kim at 44 North. That painting — 44 North — is now in the Shape of Waters show.

shape-of-waters-44-north
44 North

I also have a painting of Dan collecting beach glass at Scott’s Landing, which is work to him, in the Shape of Waters show. Others show a painter caulking a windowsill, a shipyard worker scraping a boat, and the Stonington town cat — yes, that would be Dundee) supervising the town.

So come by and see the Shape of Waters show. There’s a reception from 3-5 pm on Sunday, July 8, at the gallery, where you can meet all the artists.

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Leslie Squared at ART by KATY

artbykaty
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Tonight at 4 pm starts the soft launch of the Leslie Squared show (OK, I admit, I haven’t figured out how to make the squared symbol on my laptop yet) at ART by KATY. The show features oil paintings by Leslie Anderson and me, Leslie Landrigan. Both of us are married to Dans and both of us paint landscapes, so voila!

Tonight (July 6) is DIS Friday in Stonington, and Katy Allgeyer is holding a reception for Leslie Squared at her ART by KATY gallery at 22 Weed Field Rd.

artbykaty
The Art By Katy gallery at 22 Weed Field Rd.

Here’s Katy two days before the Friday party:

art-by-katy-allgeyer
Katy Allgeyer in celebratory Fourth of July fashion.

Katy has done a great job promoting the Leslie Squared Show at ART by KATY. We’re in the Bangor Daily News, the Ellsworth American and the Island Advantages.

My Dan and his family, visiting Deer Isle at the time, dropped by the Art By Katy gallery on Wednesday for a peek at the paintings, a glass of wine and some very smart edibles. I believe they were duly impressed by the rustic charm of the gallery.

Katy is relaunching the gallery after a hiatus of several years. She’s worked really hard to make it a very appealing space, and I’m excited to be part of her  reopening!

At the Gallery

Here’s a peek at one of my paintings in the show:

art-by-katy-landrigan-acadian-horseback
Acadian Horseback, oil on canvas, 16″ by 20″

And here’s a peek at one of Leslie Anderson’s paintings:

art-by-katy-leslie-anderson

The big ART by KATY opening pARTy will start the next night, Saturday, July 7, from 4-7 pm. There’ll be more wine, more smart edibles, fun and interesting people as well as oil paintings by someone named Leslie.

Leslie and I, by the way, both started out doing watercolors, and we’ve both branched out into oils. Which is what you’ll see at the show, which runs until July 26.

So be there or be squared!

 

 

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Leslie Squared at ART by KATY

artbykaty

Tonight at 4 pm starts the soft launch of the Leslie Squared show (OK, I admit, I haven’t figured out how to make the squared symbol on my laptop yet) at ART by KATY. The show features oil paintings by Leslie Anderson and me, Leslie Landrigan. Both of us are married to Dans and both of us paint landscapes, so voila!

Tonight (July 6) is DIS Friday in Stonington, and Katy Allgeyer is holding a reception for Leslie Squared at her ART by KATY gallery at 22 Weed Field Rd.

artbykaty
The Art By Katy gallery at 22 Weed Field Rd.

Here’s Katy two days before the Friday party:

art-by-katy-allgeyer
Katy Allgeyer in celebratory Fourth of July fashion.

Katy has done a great job promoting the Leslie Squared Show at ART by KATY. We’re in the Bangor Daily News, the Ellsworth American and the Island Advantages.

My Dan and his family, visiting Deer Isle at the time, dropped by the Art By Katy gallery on Wednesday for a peek at the paintings, a glass of wine and some very smart edibles. I believe they were duly impressed by the rustic charm of the gallery.

Katy is relaunching the gallery after a hiatus of several years. She’s worked really hard to make it a very appealing space, and I’m excited to be part of her  reopening!

At the Gallery

Here’s a peek at one of my paintings in the show:

art-by-katy-landrigan-acadian-horseback
Acadian Horseback, oil on canvas, 16″ by 20″

And here’s a peek at one of Leslie Anderson’s paintings:

The big ART by KATY opening pARTy will start the next night, Saturday, July 7, from 4-7 pm. There’ll be more wine, more smart edibles, fun and interesting people as well as oil paintings by someone named Leslie.

Leslie and I, by the way, both started out doing watercolors, and we’ve both branched out into oils. Which is what you’ll see at the show, which runs until July 26.

So be there or be squared!

Shape of Waters at the Deer Isle Artists Association

shape-of-waters-44-north

The Shape of Waters exhibit has already started at the Deer Isle Artists Association  in Deer Isle Village. I have five paintings in the show, all of which depict some kind of work.

Why Work?

When I left journalism to work for a labor union, I thought I should decorate my office with an image of an American worker. So I went to the National Gallery of Art, thinking the gift shop would have a poster, print or even a notecard  depicting someone at work.

I was hoping for a nice big WPA poster,

shape-of-waters-forging

but I would have settled for a print of an Ashcan School painting — McSorley’s Bar, for example.

shape-of-waters-mcsorleys-bar
McSorley’s Bar by John Sloan.

By the time I’d spent an hour looking through the merchandise, I would have been happy to find a notecard with Millet’s The Gleaners on it.

shape-of-waters-gleaner
Jean-Francois Millet, The Gleaners

I couldn’t find one single reproduction of a painting, print or sculpture that showed an American working. I’d soon learn how invisible the working class is in the United States, but that’s a whole other story.

Since moving to Deer Isle I’ve started to paint people at work. Usually I’ll spot them in a certain light or against a certain backdrop and I’ll ask them if I can take their picture. I take a bunch, then sometimes I go back and study the setting a little more. That’s what I did when I spotted Danielle washing windows at Inn on the Harbor.

shape-of-waters-danielle
Danielle

The painting now hangs against the yellow wall in the Inn on the Harbor lobby.

Since then I’ve done more, including Kim at 44 North. That painting — 44 North — is now in the Shape of Waters show.

shape-of-waters-44-north
44 North

I also have a painting of Dan collecting beach glass at Scott’s Landing, which is work to him, in the Shape of Waters show. Others show a painter caulking a windowsill, a shipyard worker scraping a boat, and the Stonington town cat — yes, that would be Dundee) supervising the town.

So come by and see the Shape of Waters show. There’s a reception from 3-5 pm on Sunday, July 8, at the gallery, where you can meet all the artists.

 

Prints for Sale at the Deer Isle Artists Association

allen-cove-fb

My prints of Deer Isle landscapes are now on sale for $30 at the Deer Isle Artists Association. They’re in the Art Rack at the DIAA’s first exhibit of the season, “In Praise of Hands.”

One print, Allen Cove, appeared in the Island Advantages to promote the show. It sold quickly, but I’ve replaced it with another.

allen-cove-fb
Allen Cove

In case you’re wondering, Allen Cove is right down the road from my home in Stonington.

You can buy three other prints of Deer Isle scenes — the Lily Pond, Eggemoggin Reach and HIghland Avenue in Stonington. The fourth is for cat lovers:

brownie-and-gracie
Brownie and Gracie.

The DIAA “In Praise of Hands” exhibit supports DIAA’s educational outreach activities. The show includes baskets, ceramics,
fiber, photographs, sculpture, painting and prints.

DIAA will also have postcards, notecards, books and calendars on sale all summer long. They’re all created by member artists.

We host an artists’ reception on the afternoon of Sunday, May 27, from 3-5 at the gallery. The other artists include Betsy Braunhut, Cindy Bourque-Simonds, Pat White, Jill Kofton, David Kofton, David McBeth, Mary Eaton and Carolyn Raedle.

Feel free to stop by if you happen to be on Deer Isle this Memorial Day weekend.

About DIAA

DIAA celebrates its 45th anniversary this year. Members have  opportunities to exhibit new work and be part of a vibrant and supportive group of artists working in various fine art and fine craft media.

We are a community of approximately 100 artists (painters, sculptors, printmakers, jewelers, photographers, fiber artists and more) and patrons interested in the arts. Most of us live in Maine at least part of the year, but there is no residency requirement.

Exhibitions change every two weeks during the summer months and the gallery is open from 10 am to 5 pm every day except Monday.

The gallery is located at 15 Main St., Deer Isle, Maine.

The Island Heritage Trust Wings, Waves and Woods

tennis-reservation

Eight of my watercolors are on exhibit in the Island Heritage Trust barn from May 5 to May 25.  The occasion: The Island Heritage Trust birding festival, known as Wings, Waves and Woods.

Wings, Waves & Woods runs from May 18-20, and kicks off the summer tourist season on Deer Isle. It features walks and cruises to see puffins, harlequin ducks, guillemots, bald eagles, great cormorants, eiders, osprey…you get the idea.

Some of the best things about Deer Isle are the conservation lands owned by the Island Heritage Trust.

Dan and I hike most of the Deer Isle trails owned by the Island Heritage Trust. In summer and fall, Dan and I hike them nearly every day.

Then I paint them.

This year, the Island Heritage Trust sponsored an art exhibit in its barn.  My friend Carolyn Walton invited me to participate in the exhibit.

So I decided to submit watercolors inspired by the IHT conservation lands.

Before Franklin Roosevelt built the Deer Isle Bridge, the ferryboat from the mainland landed at Scott’s — hence the name, Scott’s Landing.

We often go to Scott’s Landing, and I’m often amazed we’re the only ones tramping around these 24 lovely acres. We often hike through the old fields to the sand beach, where we get yelled at by crows, watch the tide go in and out of Eggemoggin Reach and scour the beach for glass.

Here’s Dan tying his boot at Scott’s in winter.

wings-waves-woods-dan-landrigan-exhibits
Bean Boot, Scott’s Landing

Deer Isle is really an archipelago connected by causeways, like the one that connects Little Deer with Deer Island. Clammers often dig for the little bivalves in the muck off Causeway Beach — also owned by the Island Heritage Trust.

Below is a painting of a November sunset off Causeway Beach.

island-heritage-trust-landrigan-exhibits-sunset
November Sunset, Causeway Beach

You walk a challenging mile through a mossy, ferny forest until you reach a panoramic view of Isle Au Haut, Mark Island and Penobscot Bay. Low tide exposes a wide sandbar connected to Barred Island. Frederick Law Olmsted used to own the land and wisely chose not to improve upon it. One of his descendants donated the land to the Nature Conservancy, and the Island Heritage Trust manages it.

This painting shows the sand bar at low tide. Barred Island is on the left.

Tennis

Tennis

I also painted a few new watercolors, including the lobster claw above. I stumbled across that on one of the Tennis hiking trails.

So if you’re in or near Deer Isle, stop by the IHT barn and check out my paintings of IHT lands.

 

The Floating World

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Memorial Day is the official start of summer in Downeast Maine, though that doesn’t mean it’s warm. It was so cold on Friday the Stonington Farmers Market opened with only seven shivering vendors, including me with a fresh batch of frozen seafood pies.

Kim Kral and Bob Gillmor pitch a tent at the Stonington Farmers Market on Saturday.

Wind is the real enemy of the farmers market. Richard Lymburner, who sells plants early and garlic late, lost his tent in a cold blast. Sunset Acres (meat, cheese and greens) didn’t bother to put up a tent, nor did I; I shared with Bob Gillmor, aka Spoon Bob for the wooden spoons he makes. Even with rocks weighting down his tent we had to hang on to it when the wind gusted.

Still, the summer people came and bought a few things. You can tell they’re here because some of them walk down the middle of the street, gazing rapturously at the beauty of coastal Maine. That ticks off the sternmen, who drive even more aggressively than usual on the roads.

Sternmen are young men who make a lot of money working on fishing boats. They’re paid with a portion of the haul. Stonington is the biggest lobster port in Maine; last year, $65.3 million worth of lobster was yanked out of the sea. That’s $343,000 per boat.

The sternmen drive their skiffs the way they drive on the roads. I love to watch them zip across the harbor, leaving a long white wake. One cloudless blue day I noticed one orange skiff breezing into Fish Pier. Since I’m a sucker for blue and orange, I took some pictures and then made a painting.

Driving Home

I called it Driving Home and posted it on Facebook. That prompted a response from my sister who lives in San Francisco:

I’m wanting more orange in the back. Love the reflection of the boat and the wake.

So I replied:

Thanks PK. You raise an interesting point about the orange. I was thinking of a burst of orange against the blue but I could have put some orange elsewhere, perhaps as dots or mixed with blue to make shadows. If I’d put orange in the back it would have brought the background forward and flattened the picture, though I’m not sure that’s a bad thing. The Japanese, you know.

That inspired another suggestion:

What if you put a bit more brown on the roof to ground the background a bit. I don’t know about art, so I’m not sure f it would flatten out the picture. But I do feel that the top left is floating away a bit. I like the pier too!!

So I went to the Deer Isle Artists Association, where the painting hangs next to one by my friend Carolyn Walton. I decided the roof was floating away. But I also decided it didn’t matter.

 

Eight of my paintings are now hanging at the DIAA gallery on Main Street in Deer Isle Village. They’ll be there until June 8 as part of the Make A Detour show. My notecards and postcards are there too. Stop by this Thursday morning (June 1) or Saturday afternoon (June 3) and say hi. I’ll be there peddling art.

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