Some New Paintings and a New Library Venue

Wooden Boat School Buoys2MB
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This summer I ventured beyond Deer Isle — not that far, but still I ventured. And then I finished up the year with a snowscape of Stonington that I’ve been wanting to do since, oh, last winter.

Stonington Winter
Stonington Winter, watercolor

The Stonington Library

You can’t quite see the Stonington Public Library in the painting — it’s behind the building to the right. But now about a dozen of my paintings are hanging on the library walls. I’d like to put up a few more, but I’ve got to find frames for them first.

The Stonington Library recently underwent a major renovation, and now it’s even more of a jewel. There’s a new reading nook, a handicapped-accessible public bathroom (a very big deal in an island tourist community) and a new energy efficient furnace. Sadly, the fabulous Vicki Zelnick, who has done wonders with the library, will retire soon. I’ll miss her.

Brooklin

I’ve already posted my first painting of Brooklin here, called Naskeag Point.  And my second, come to think of it — Wooden Boathere.

Recently I finished another one, a watercolor called Wooden Boat School Buoys for fairly obvious reasons.

Wooden Boat School Buoys2MB
Wooden Boat School Buoys, watercolor.

I know the whole buoys-hanging-from-a-tree thing is a cliche, but these had so much energy I had to paint them. Besides, as an art history teacher once said, There’s a good reason cliches become cliches.

Monhegan

Monhegan, watercolor

Here’s a watercolor of Monhegan Island from the stern of the Laura B (or was it the Elizabeth Ann?) Anyhoo, I’d been immersing myself in Andrew Wyeth’s paintings, both at the Farnsworth Museum and at the Wyeth gallery on the second floor of the Port Clyde General Store. One Wyeth painting, an overhead view of a rushing stream called The Carry, really wowed me. Later, as I sat looking out at the wake of the boat I got inspired to paint this.

Then I did a couple of small oils, again inspired by a day trip to Monhegan on a sunny fall day.

Abie Rose, oil on canvas
Monhegan Museum, oil on canvas.

 

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Lucky Me! 3 Weeks To Paint at DIAA

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I am so lucky. I get to paint for three – count ‘em, three — straight weeks at the Deer Isle Artists Association gallery with my friend Oscar Turner starting next week.

Oscar at the DIAA gallery over the summer. We were gallery sitting together.

It’s a huge space – well, way bigger than my studio at home, which was once a stonecutters’ boardinghouse. My workspace in the old stonecutter’s bedroom gets a little cramped.

My workspace at home

In summer, the DIAA gallery hosts new exhibits every two weeks. In winter, the gallery is still heated (to all you non-New Englanders: heat is a big thing). But there are no shows. So the DIAA allows artists to use the space to paint for a month at a time.

Cindy Bourque-Simonds, the DIAA board member who manages exhibits, used the space in December. She told me people stopped by to chat and even brought coffee. I’m excited about the opportunity, looking forward to spending time with Oscar and hoping people will drop by for a visit.

The DIAA’s big space means I can paint on big canvases. And it also means I can work with oil paint, something I can’t do at home. And I can finish watercolor paintings I started last year, like this one.

Work in Progress

I can also work on 12” by 12” oil paintings for the popular summer 12 by 12 show, and they’ll be dry. Last year I brought a few still-wet paintings to the show and asked DIAA president David McBeth if they were okay. He gestured to a long row of paintings propped up against the fence and said, “Just put them over in the wet paintings section.”

The 12 by 12 show. All paintings are 12″ by 12″ and cost $144.

Here’s a 12″ by 12″ painting I sold at the show last year:

Oceanville Garden. Watercolor on 140-lb. paper. 12″ by 12″. Private collection.

Best of all, I can paint uninterrupted by the household chores and clam pie tasks that always loom. I’ll still be on the hook to write for the New England Historical Society, but I do that early in the morning anyway.

I start on Monday, January 9, the day after DIAA’s latest ART matters 2 discussion. The ART matters sessions are one reason I love living on Deer Isle. DIAA Board Member Hub White brings three artists together on Sunday afternoons once a month in winter. They show their work and chat about what they do. Then the audience joins the conversation.

There are only a few thousand people who live on this island, but Hub can easily find 20 artists and each ART matters discussion brings standing-room only crowds. So you can talk about art here without getting a blank stare.

 

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